The Walking Dead? “Operetta Made In Austria” With Ildiko Raimondi and Herbert Lippert
It’s a pretty grand claim to make: “With their multi-media stage show Operetta Made in Austria stage stars Ildiko Raimondi
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Operetta Between The Two World Wars: International Musicological Symposium In Ljubljana
The staging of musical-dramatic works in the late nineteenth century was dominated by operetta, which effectively dictated the programmes of
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Naive Charm: Christine Bovill’s “Tonight You Belong To Me”
A scratchy, smoky voice with a Scottish accent, and a piano: Christine Bovill’s latest show at Bar jeder Vernunft
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Body Shaming In The Operetta World: Or The Cry For Help From Soprano Kathryn Lewek
In his novel Where Angels Fear to Tread, published in 1905, E. M. Forster describes a performance of Lucia di
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Gilbert & Sullivan At Wilton’s Music Hall: An “HMS Pinafore” Performance To Remember
Wilton’s Music Hall is “the most important surviving early music hall to be seen anywhere” (says the Theatres Trust) and
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Dangerous When Wet: Offenbach’s Rediscovered “Le Royaume de Neptune” From the 1874 “Orphée Aux Enfers”
When Germany’s ultra-conservative Offenbach crusader Peter Hawig – who in a recent Jacques Offenbach Society newsletter remarked that “tying” the
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Red Stars: A Study And Exhibition About Socialist Showbiz In Hungary
Operetta appears more and more frequently in scientific discourse, but what about revues and variety shows? It’s a new field
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Evelin Förster Presents: “Sommerfrische (Bade)Chansons” From 1910–1930
The heat wave is back, in Germany at least. And the only appropriate way to cool off – operetta style!
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Offenbach On Arte TV: “Orphée aux enfers” From Salzburg and “Gerolstein” From Cologne
You might wonder whether they are serious – ‘them’ being the French-German Kultursender arte. They are celebrating the 200th birthday
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Ohio Light Opera: Offering Rarities From Kálmán’s “Teufelsreiter” to Novello’s “Perchance to Dream”
Fans of musical theater and operetta will not find a richer, more concentrated banquet of their favorite entertainment than that
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Francesca Zambello’s Version of “Showboat” At Glimmerglass Festival
Showboats gave the theatre-starved people along the Mississippi from the 1880s into the 1920s what they most wanted: melodrama and
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German Operetta On Broadway And In The West End: 1900 To 1940
Considering that there are not that many new books on operetta in English, one must greet Derek B. Scott’s fresh-off-the-press
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“Maestro Offenbach – au grand galop!” A Farewell Book For Albert Gier
Prof. Albert Gier is one of the most famous researchers of musical theater text books. He taught at the University
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“The Pa! The Ma! And the Shah!”: Offenbach’s “Island of Tulipatan” As A “Persian Operatic Bouffonerie”
The one-act l‘île de Tulipatan, written by Jacques Offenbach with his librettists Henri Chivot and Alfred Duru in 1868 for
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Diversity Of Questions & Multiplicity Of Approaches: Kaspar Maase’s “Einführung in die Populärkulturforschung”
How do you solve a problem like – operetta? The question has been asked many times over, especially since so
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Sex, Gender Fluidity, Abortion & Operetta in Northern Ireland: The Offenbach Bicentenary Festival
In August 2019, Northern Ireland Opera presents an Offenbach Bicentenary Festival. The choice of shows for this festival is remarkable, because
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“…was verloren ging”: A New Book About Operetta Before & After 1933
Im Jahr 2005 profilierte sich die Staatsoperette Dresden mit einer überregional vielbeachteten Konferenz, die den Titel Operette unterm Hakenkreuz trug.
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Offenbach’s “La Créole” And The Exhibition “Le Modèle Noir” At The Orsay Museum In Paris
It is one of the more amazing developments of recent years that suddenly “entertainment” is included in major exhibitions dealing
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Offenbach Double-Treat in London: “La belle Hélène” and “Orpheus in the Underworld”
With the BBC Proms totally ignoring Offenbach’s bicentenary, it has been left to London’s music colleges, small scale opera companies
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Ethnic Exoticism & Chinese Stereotypes. Or: Lehár’s “Das Land des Lächelns” At The Mörbisch Summer Festival 2019
Bigger is not automatically better, some claim, and that’s especially true for operetta, or operetta festivals. So just because the
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Marked For Immediate Removal: The Grave Of Rosy Barsony In Vienna
In Vienna the great operetta artist Rosy Barsony has found her final resting place. The Jewish performer was born as
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Rüdersdorfer Operettensommer Presents “Frau Luna” In 2019 – With Christian Miebach
The operetta summer festival in Rüdersdorf – just outside of Berlin, down in the south-east – has gone through some
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Ábrahám’s “Märchen im Grand-Hotel” In Hamburg, Hannover, Luzern & Meiningen
After having been forgotten for more than 80 year, new interest in Paul Ábrahám’s Märchen im Grand-Hotel is noticeable. You’ll
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A Man And His Shadow: “Jonas Kaufmann Wien”
No, this is not scheduled as a mid-summer treat to coincide with the various operetta festival productions in Austria: the
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Herbert’s “Babes in Toyland” At Theater Plauen-Zwickau: First German Production
The show title Abenteuer im Spielzeugland might not directly ring a bell. But if you translate it into Babes in
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“Das Feuerwerk” by Paul Burkhard & Erik Charell At Musikalische Komödie Leipzig
When I was about eight years old I have vivid memories of my mother doing the housework, continually singing “Oh,
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Emmerich Kálmán’s “Die Bajadere” At The Summer Festival Of Neustrelitz
Imagine sitting under the stars in a beautiful German Schlossgarten, totally relaxed, watching a hugely enjoyable operetta by Emmerich Kálmán
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“Die lustige Witwe” With Marlis Petersen And Iurii Samoilov – Live From Oper Frankfurt
The original composer chosen für Die lustige Witwe by authors Leo Stein and Victor Léon was: Richard Heuberger. After he
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“Barbe-Bleue” In Lyon: A Night Of Perfection
It is so easy to rip a performance apart. But what do you do if you see perfection? Alright, if
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Dance in Jacques Offenbach’s Théâtre musical léger – Between Imagination, Improvisation and Choreography
Jacques Offenbach could not have asked for a better way to curry favour for theatre priveleges than by publishing a
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Observations Of A Traveling Operetta Enthusiast
One cannot call them “reviews,” since I don’t read music, and a performance has to be either very good or
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Offenbach At 200: “Madame Favart” At The Opéra-Comique In Paris
Would Brother Jacob have been amused? In any case, the Parisian Opéra-Comique (with a hyphen, meaning the actual opera house,
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“Camp: Notes On Operetta.” Or: Getting Back To The “Filthy” Side Of The Genre?
“More than any other art form, fashion most fully embraces and expresses camp’s exuberant aesthetic, excelling in its ability to
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“Grüezi” As A Swiss Exile Answer To “Im Weissen Rössl” – An Interview With Melanie Gehrig Walthert & Reimar Walthert
First you’ve never heard of Grüezi at all, even though the artists who created it are all artists you’ve known
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A New “Madame Pompadour” At Musikalische Komödie, Leipzig
The 1922 Madame Pompadour is not only one of Leo Fall’s last stage works (he died in 1925), it is
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The Queen of Offenbach’s Bouffes: The Life & Career Of Lise Tautin
The Queen of Offenbach’s Bouffes? Oh, yes, I hear the unenlightened nod. ‘Hortense Schneider. We’ve all heard of her’. I:
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