From Dingsda To The Mississipi: Bumping Into Alen Hodzovic Again
Perhaps you know that feeling: you see a super-duper operetta performer one day, and the next he’s vanished. Or so
read morePerhaps you know that feeling: you see a super-duper operetta performer one day, and the next he’s vanished. Or so
read moreIf you’re watching this space, you might have registered some recent frustration with current operetta conductors who were not quite
read moreIt’s a real Kálmán bonanza this holiday season. Wherever you turn, there is Kálmán, and more Kálmán. In St. Gallen
read moreIt is not quite an “indecent proposal,” as in the 1993 Robert Redford movie. But still, it’s a stunning offer:
read moreTruth be told: the performance of Turkish musical comedy star Serkan Kaya as a swaggering cowboy hero in Kalman’s Arizona
read moreIf you know your operetta history, you will be aware of the fact that Johann Strauss Jr. was the most
read moreAdmittedly, Heilbronn is not the first city that comes to (my) mind when talking about operetta “Made in Berlin.” Still,
read moreAs the author of Die Fledermaus (1874) and a whole series of other famous Strauss operettas, Richard Genée is not
read moreFinally, you might say. Or, as the Germans would put it: „Endlich!“ Yes, the Komische Oper Berlin will present the
read moreDid anyone ever wonder what happened to Rodolfo after Mimi’s death? Truth be told, I did not. At least not
read moreThis past summer of 2014, Austria’s Mörbisch Lake Festival departed somewhat from its traditional programming of German operetta to present
read moreIn Vienna, a grand musical birthday celebration will be held in December. The “birthday boy” is Charles Kalman, oldest son
read moreYes, it might be true that the Austrian operetta festival in Bad Ischl is fighting for “pure survival,” as director
read moreToday and tomorrow, the Deutsches Musicalarchiv hosts its annual conference in Freiburg. Among the various talks on the history of
read moreOffenbach aficionados may rejoice. Here is the first complete recording of his opéra comique in 3 acts, 4 tableaux, Fantasio.
read moreIt is an inventive new approach to an old question: how do we deal with the ideological baggage of operettas
read moreZu Weihnachten 2014 schenkt die Komische Oper den Berlinern eine sehr späte – und überfällige – Hauptstadtpremiere von Emmerich Kálmáns
read moreNothing makes love’s longing bloom as intensely as a heavy crisis! Or so the saying goes. At the restaurant Zum
read moreHere is something really yummy: a collection of essays dealing with various aspects of popular musical theater at the beginning
read moreOne of the most interesting young German scholars in the field of operetta research and examining the entertainment industry, Tobias
read moreAre you ready for this? The Semperoper Dresden and its musical director Christian Thielemann will dedicate the 2014 New Year‘s
read moreThe Artistic Director of the Victor Herbert Renaissance Project (VHRP), Alyce Mott, has already had a major triumph this year
read moreYes, we all know that conductor Nikolaus Harnoncourt is one of the pioneers of the Early Music Movement. Together with
read moreIn Stendal, in Saxony-Anhalt, the Theater der Altmark will present a new production of Fred Raymond’s Maske in Blau. It’s
read moreComposing a brand-new operetta today is a daring endeavor. On the one hand, larger audiences are drawn to dramatic musicals
read moreAs this Off-Broadway revival of Richard Rodgers and Oscar Hammerstein’s 1947 failure Allegro is directed by John Doyle – he
read moreThe Golden Apple (1954) is widely acknowledged by musical theatre scholars as a much-neglected gem, and it is presently receiving
read moreHere it is: the latest issue of Die Tonkunst. After a recent Bluebeard special that included a big essay on
read moreThe title of this flavorsome concert mounted by LOONY on a seriously rainy Wednesday at the fabled Players Club was
read moreIn November, the New York Philharmonic will present a semi-staged concert version of Show Boat: one of the classic shows
read moreYou can certainly call this operetta debut ‘special’: stage director Susan Stroman (The Producers, The Scottsboro Boys) will direct a
read moreOne of the most successful romantic musical plays of the 1920s, Show Boat (Ziegfeld Theater, New York, 27 December 1927)
read moreFrank Wedekind’s Frühlingserwachen (1891) is a ‘famous’ play. ‘Famous’ in a Lady Chatterley’s Lover way. There’s nothing like some healthy
read moreThe title alone is worth a headline: “Victor Herbert Renaissance Project LIVE!” It is the world’s only production company uniquely
read more‘Die fesche Pepi’ – ‘Jolly Josie’ – was one of the most popular and famous stars of the Viennese musical
read moreBorn in Graz to theatrical parents, Geistinger first went on the stage as a child and had an early exposure
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