Victor Herbert’s “Serenade” (1897) Returns To New York
Victor Herbert’s wildly popular 1897 comic operetta, The Serenade, forever changed the landscape of musical theater in America and abroad!
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Victor Herbert Renaissance Project Live: “The Serenade”
Inasmuch as anyone revives Victor Herbert’s melodious operettas any longer, it is likely to be one of the biggies such
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“Emerging From The Closet Of Representation“: Homosexuality And Same-Sex Marriage On The Musical Theater Stage
The genre operetta was invented around 1850 in Paris, as a new and independent musical theater form in the modern
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“Frau Luna”: Casting Call For Twinkling XXL-Stars In Berlin
You will recall that the Tipi-Zelt-am-Kanzleramt in Berlin is preparing a new fully commercial production of Paul Linckes operetta Frau
read more![Albert SZIRMAI [aka SIRMAY]: b Budapest, 2 July 1880; d New York, 15 January 1967](http://operetta-research-center.org/wp-content/uploads/2015/09/Sirmay-436x291.jpg "Albert SZIRMAI [aka SIRMAY]: b Budapest, 2 July 1880; d New York, 15 January 1967")
Albert SZIRMAI [aka SIRMAY]: b Budapest, 2 July 1880; d New York, 15 January 1967
Szirmai was a top-flight Hungarian composer whose career faded when he left home. He studied at the Budapest Zeneakadémia and
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SZIBILL, Operetta in 3 acts by Miksa Bródy and Ferenc Martos. Music by Viktor Jacobi
Szibill, first produced at the Király Színház, Budapest, on 27 February 1914, was the peak achievement of the short career
read more![Viktor JACOBI [JAKABFI]: b Budapest, 22 October 1883; d New York, 10 December 1921](http://operetta-research-center.org/wp-content/uploads/2016/04/Jacobi_Viktor-436x291.jpg "Viktor JACOBI [JAKABFI]: b Budapest, 22 October 1883; d New York, 10 December 1921")
Viktor JACOBI [JAKABFI]: b Budapest, 22 October 1883; d New York, 10 December 1921
Viktor Jakabfi is one of the group of successful Hungarian composers who dominated the European musical stage in the early
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Operetta In Cottbus: “Blaubart” and “Wirtshaus im Spessart”
One does not need much prompting to travel to Cottbus: the small town south-east of Berlin has one of the
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“Swing tanzen verboten”: A Little Book On Operetta After 1933
It’s a small book, but full of interesting content: Swing tanzen verboten. Unterhaltungsmusik nach 1933 zwischen Widerstand, Propaganda und Vertreibung.
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“Männe, hak’ mir mal die Taille auf!”: Erotic Cabaret Songs
The art of the suggestive song is not restricted to any particular historic era; it is, however, limited to a
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Andreas Homoki Will Stage “Das Land des Lächelns” With Piotr Beczala In Zurich
What the Opera House Zurich and the Komische Oper Berlin have in common are their architects: both were built by
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Hungarian Operetta In New Delhi. Or: Kálmán Conquers India
Off to new frontiers: that has always been a guiding principle for operetta. In this case, Hungarian operetta, or more
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“Shuffle Along”: Re-Imagining the African-American-Classic From 1921
Why is the upcoming revival of Shuffle Along, or, The Making of the Musical Sensation of 1921 and All That
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“Der Vampyr”: Marschner’s Horror Spectacle As A Savoy Opera?
Heinrich Marschner’s 1828 “Gothic” opera Der Vampyr is set in England, the characters have names such as Lord Ruthven and
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Meyerbeer’s “Les Huguenots” Return To Berlin: With Juan Diego Flórez
Anyone seriously interested in Offenbach will also be interested in Meyerbeer, and the various other composers successful in the first
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“She Loves Me”: Miklos Laszlo’s Hungarian Play As A Modern Broadway-Operetta?
Many great operetta things come from Hungary; and you might add, many great musical comedy things too. Emmerich Kalman wanted
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Talking With “Schwarzwaldmädel” Star Philip Lüsebrink
German tenor Philip Lüsebrink studied at Hamburg’s Johannes Brahms Conservatory; and built quite a career for himself singing and directing
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Plädoyer für die (halb) vergessene Operette „Der Obersteiger“
Die Handlung des Obersteiger ist gespickt mit zahlreichen Details, die sich in der Annaberger Produktion – nicht ganz verständlich –
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Oscar Straus’ “Perlen der Cleopatra” & Kálmán’s “Marinka” Next Season
Now it’s official: the Komische Oper Berlin has announced that next season the world will have a close encounter of
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The Game Changers Of Broadway: Hammerstein, Schirmer, Cohan & Co..
Who were the truly instrumental people who caused America to develop the largest and most influential entertainment industry in the
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Jessel’s “Schwarzwaldmädel” At Hamburg’s Engelsaal
Leon Jessel’s 1917 operetta Das Schwarzwaldmädel was one of the great WW1 hits coming from Berlin, because it transported war-weary
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Victor Herbert’s “The Fortune Teller” At VHRP Live!
Yes, some music was missing, but what remained of Victor Herbert’s classic score in VHRP Live’s semi-staged concert reading was
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Kalman’s “Endre és Johanna” On Live-Stream From Canada
Emmerich Kalman started his career as a serious“ composer of grand tone poems in the Richard Strauss, or more likely
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Charles Kalman’s Widow Ruth Dead At 87
It seems almost only yesterday that Charles Kalman died, and had his memorable musical funeral in Munich. Now, his wife
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Nico Dostal’s “Prinzessin Nofretete” New In Leipzig
The Oper Leipzig annouced its new season this week, including the program for the associated Musikalische Komödie. There is a
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Nikolaus Harnoncourt Dead: What’s His Operetta Legacy?
For many people in the classical music world, the name of Nikolaus Harnoncourt is almost sacred. The conductor who died
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Geschwister Pfister: A New Spoliansky Revue In Berlin
The musical comedies of Mischa Spoliansky have been experiencing quite a revival in recent years – probably because the biting
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THE FORTUNE TELLER: Comic opera in 3 acts by Victor Herbert
When the ambitious young soprano of the famed Bostonians company, Alice Nielsen, decided to break away from the group and
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Victor Herbert’s “The Fortune Teller” Back In New York
This season, the Victor Herbert Renaissance Project Live! is focusing on “humor” and celebrating that aspect in the works on
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“Frau Luna” At The Tipi Am Kanzleramt
There are news, and there are NEWS. This certainly qualifies for the latter category, in capital letters: Berlin’s private theater
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Clouds of Rain: Nigel Shore’s New Album
Yes, you are right: there are not that many operettas set in South America. Okay, there is Moïse Simons‘ stunning
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Michael W. Balfe’s “Satanella,” Plus: A Contemporary Cantata And “Merman’s Apprentice”
It is not often that I write about recordings. Since my massive listening-writing effort of The Musical Theatre on Record,
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“Les Chevaliers de la Table ronde”: Hervé’s Masterwork Rediscovered
French composer Hervé (1825-1892) has been so overshadowed by his competitor, friend and contemporary Jacques Offenbach that hardly anyone remembers
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Happy Birthday, Barrie Kosky And Kurt Gänzl!
Astrologically speaking, we’re still living under an Aquarian moon. And this week, we are celebrating the birthdays of two of
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Magdolna Jákfalvi Discusses Hungarian Operetta From A State-Socialist Perspective
Professor Magdolna Jákfalvi is specialized in the theater history of Hungary under socialism. She organized the first scientific operetta conference
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“Fantasio” At The Komische Oper Berlin: The 1869 Tenor Version
Yes, it’s always a treat to hear Offenbach live, especially those works that are not part of the over-familiar group
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