“She Loves Me”: Miklos Laszlo’s Hungarian Play As A Modern Broadway-Operetta?
Many great operetta things come from Hungary; and you might add, many great musical comedy things too. Emmerich Kalman wanted
read moreMany great operetta things come from Hungary; and you might add, many great musical comedy things too. Emmerich Kalman wanted
read moreWho were the truly instrumental people who caused America to develop the largest and most influential entertainment industry in the
read moreWhen the ambitious young soprano of the famed Bostonians company, Alice Nielsen, decided to break away from the group and
read moreIt is not often that I write about recordings. Since my massive listening-writing effort of The Musical Theatre on Record,
read moreThe popularity of Candide in Germany can be attributed to several factors: the continuing high profile of Leonard Bernstein, the
read moreAn unlikely current hit, the 1923 Yiddish musical Di goldene Kale (“The Golden Bride”) by Joseph Rumshinsky, emerged after years
read moreAmerican soprano Nadine Secunde is probably not someone you’d immediately associate with operetta or musical comedy, or light(er) music in
read moreWill he “come back”? Will Emmerich Kalman succeed in duplicating the tremendous success of his Countess Maritza, which has been
read moreListening to Kander & Ebb’s The Visit – their adaptation of Durrenmatt’s Besuch der alten Dame – with an operetta
read moreThis week-end, the Budapest Operetta Theatre is hosting a conference on Die Csardasfürstin, to celebrate the 100th anniversary of that
read moreYou might say: wow, the Americans are catching on! Or differently put, the announcement of the latest concert by the
read moreThe folks in Philadelphia are at it again this weekend. They will be presenting a concert called Broadway Does Operetta,
read moreI must confess that I admired more than loved Spring Awakening in its 2007 Broadway premiere, and really didn’t care
read moreEmmerich Kálmán’s Csardasfürstin opened on Broadway, at the New Amsterdam Theater, on 24 September 1917 under the new American title
read moreOne of the most successful, and certainly the most widely enduring of Kálmán’s operettas, Die Csárdásfürstin was nevertheless composed to
read moreWith the regular theater season in Europe re-opening with some funky returning operetta productions, e.g. at the Komische Oper Berlin
read moreThe New York Public Library is devoting its current “Musical of the Month” to Emmerich Kálmán’s Golden Dawn, a show
read moreIf you have any teenage girls – or younger – in your circle of friends, chances are high that you’ve
read moreYou will recall that the Ohio Light Opera presented Lerner & Loewe’s Brigadoon as part of their 2015 summer season.
read moreQuadruple threat librettist-composer-lyricist-actor Lin-Manuel Miranda (In the Heights) has conceived an utterly original, ambitious, irresistible new musical inspired by Ron
read moreThis is a reasonably compelling, resourcefully staged, and certainly richly designed story of slave trader John Newton and how he
read moreWhen the San Francisco Opera puts on a show like Show Boat it raises expectations. The company has a chorus
read moreAnother Merry Widow? Yeah, we hear you. (And you’re right.) It’s probably the most over-produced operetta in operetta history, together
read moreAs everyone knows, the Ohio Light Opera is one of the prime performance venues for lesser known works of Emmerich
read moreApplause now, please, for PS Classics and Lyric Stage of Irving, Texas, whose combined resources bring us the first complete
read moreToday, the Opera Leipzig will present a new production of West Side Story. Not at the Musikalische Komödie, but in
read moreAnyone who has walked into a bookshop in the USA recently will have noticed that Ethan Mordden’s attractively packaged Anything
read moreMel Atkey’s new book Breaking Into Song has arrived: a collection of articles, essays and interviews from the past 35
read moreThere is a renewed interest in operetta internationally, not just the French and Austrian variety of the genre, but also
read moreYes, Mr. John Wilson and his orchestra are at it again. After they presented Cole Porter’s Kiss Me, Kate at
read moreHere it is: a album of Josh Groban singing musical comedy. The American pop tenor has squeezed 15 famous (and
read moreThis very clever new musical is a rib-tickling winner across the board, a hilarious riff on Shakespeare and his times.
read moreNot only does this overblown musical of Boris Pasternak’s classic novel not measure up to the sweep and majesty of
read moreThis opulent revival of Rodgers and Hammerstein’s enduring 1951 classic certainly has much to commend it. For starters, theatergoers have
read moreBroadway at last! The John Kander and Fred Ebb musical, originally conceived as a vehicle for Angela Lansbury, who withdrew
read moreNo need to mince words here, this is one of the very best movie-musical-to-stage adaptations, a model, in fact, of
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